The sheer number of impressions this launch has generated is in itself impressive. But what is even more impressive is the use of early adopters and key influentials to drive the story, enthusiasm, excitement and buzz for Apple, not the company itself.

Remember that Apple is not a company that is that into social media, yet check out the Twitter hashtag #ipad and end user blogs to get a sense for the mountain of coverage and interest generated for the iPad.

How does it do this? Good old-fashioned smart PR and a communications strategy that relies on the magnification effect of early adopters and influentials to amplify launch noise via traditional PR, Word of Mouth (WoM) buzz and aspirational excitement.

Here’s some of the ground rules:

1. Carefully pick and choose your hero product(s) for the year and put as much wood behind these arrows as you can. The iPad was THE launch of 2010 for Apple. The company maintains ongoing influencer relations, a thorough reviewer’s program, and ongoing engagement for other products, like their laptops, iPods, etc., but the focus was iPad and later this year iPhone OS version 4.0. That’s it. Laser-like focus, picking and backing your product bets, not spreading the wealth across a wide product range that all cry out for PR support, even though they may be close to end-of-life (EOL) and have reached the downward side of the S-curve. The other products bask in the halo of the hero products. See what the iPod did for Macintosh sales post launch? See what the iPhone has done for iPad sales?

2. Focus on long term influencer and early adopter relations and engagement. These are your natural allies. Cultivate them, let them talk for you because they ultimately carry far more weight and credibility than your own Press Releases, blog posts or advertising. Engage with not just technology influencers, but with business, social and celebrity folk that give you brand cache and style. It’s no accident that Stephen Fry is an Apple fan boy, so is half of Hollywood, thanks to decades of engagement with product placement on set and off set, with the stars themselves. Every episode of Seinfeld has a Macintosh and a small statuette of Superman in the background. Check it out next time re-run comes on. At one point, Jerry Seinfeld had a Mac too (and probably still does even though he did ads with Bill Gates last year).

So how does this translate into the iPad launch? How do these uber-strategies map with launch tactics? Well, here’s a synopsis:

The iPad launched officially on April 1, but embargoes were set for March 31. This means a wave of launch buzz and hype 24 hours prior to people being able to buy one (not counting the rumours and speculation in the prior nine months).

Key influencers were seeded with Product Verification & Testing (PVT) units three to four months out in some cases, depending on when these units were deemed stable enough and of sufficient quality to pass muster for people that will forgive non-production machine foibles because they love the technology and because they consider themselves Apple-insiders. These units went to key Apple business partners/friends (remember Google CEO Eric Schmidt got a pre-production iPhone and not so surreptitiously flashed it at Davos, where it stole the headlines rather than dry economic prognostications?), celebrities, technology gurus, etc. Also note that they all honoured the strict Apple NDAs — no insider wants to be ostracized and get thrown out of the club.

Journos/key bloggers in the US (a very select few, high impact folks) had their iPads under NDA for a week prior to launch, enough for them to play and enjoy, but not enough time for them to be too heavily critical. Launch reviews reflect that and it’s commonsense when you think about it. The shine always rubs off the shiny new toy the longer you have it. This early enthusiasm sets the tone for the launch coverage, providing the initial launch gestalt.

Celebrity Twitter-ers helped fuel the social media buzz. Stephen Fry was on the US West Coast at launch (funny how that happened) and put up video of the un-boxing of his iPad. He openly Tweeted he had one a day prior to the rest of the population. Robert Scoble did the same thing, except for the video of the unboxing (he later went out and bought two more iPads because his family kept hijacking his — and Tweeted about it). Reviews popped up the day before the official launch by Walt Mossberg and David Pogue in the US — two of the most highly respected tech journos in the country. Surgical media placement and engagement for maximum impact rather than a broad ‘hit as many as you can’ approach most companies take.

Foreign (that is, non-US) media got flown to a glitzy New York event and even if there was no pricing for their markets, they got to play with units at launch in salubrious surroundings and with high profile Apple execs. They in turn also had the opportunity if they were keen enough to buy their own units in the US, which judging by the coverage, a good few did, thereby continuing the buzz momentum.

And the result is, as you can see, a wave of initial great coverage that drives WoM, then sales and sets the tone.

More importantly its a self-reinforcing cycle of clever, surgical market engagement that fuels Apple’s mystique as a cult rather than as a technology company.

And the interesting thing is that other companies with ‘insanely’ great products could be doing the same to build their own mystique and stories. Mass communications doesn’t have to be massive, just smart.

Postscript: The iPhone OS 4.0 was announced a few days ago. Only Apple developers are supposed to have the beta code for testing. Stephen Fry, who last time I checked can’t cut a line of code, Tweeted yesterday that he had just installed it on his 3G iPhone. General availability for the masses is not expected until the northern hemisphere summer/autumn (fall).

It is no secret that the Internet in China has been an agent for reform, and it is serving as a valuable tool for people to explore a world often beyond their reach. The Internet is not only serving China’s growing set of Netizens though. It is quickly replacing traditional media as brands and companies seek to connect with their consumers in new and different ways. With the exception of Google, international platforms that offer a cut and paste version of their American or European sites simply fail and often get banned. Popular sites such as Facebook and Twitter have fallen victim to the Great Firewall of China. While young innovative Chinese Netizens can find a way to get to these sites, why would they want to? Chinese social media is simply way cooler.

The Internet in China is dominated by long-running, multi-service portals like Sina, QQ and Sohu that have been offering social networking, discussion forums, blogs, instant messaging and other “socialised media” long before Twitter and Facebook. As the nationally preferred form of social media, bulletin board systems (BBS) are available in every imaginable topic, and in these forums, Netizens can be extremely vocal, resourceful, risk-takers, subversive and sometimes a little worrisome.

However, for the most part Netizens are simply seeking entertainment and escape. The bulk of internet users in China, young white collar urban Chinese, are informed, intelligent and generally optimistic about the future. This state of mind is exemplified by one of the hottest games at Kaixin called Parking Wars. Players earn virtual mullah for parking in their friends’ spaces and issuing parking infringements if they catch their friends parking on their home turf, with more money earning you shinier wheels. It is simply addictive and unrivalled by anything on Facebook.

Netizens love the collective and escapist nature of the Internet where avatars have become a nationwide obsession and are carefully designed as a form of self expression and extension of personality.  QQ offers avatar clothing and hairstyles for 1-5 RMB apiece. Many friends are made only in avatar form online, with Netizens never actually meeting face to face.

With no hesitation about inundating friends with requests to play this game, read that blog, join in this conversation or watch that video, the Internet and social media are no less than a national addiction. This addiction, and fast growing channel, has become the opportunity and challenge for companies and brands. The question everyone is asking is how to get started?

The first movers among companies and brands in leveraging the Internet to reach their customers know that a true digital brand experience requires creativity, authenticity and originality.

Chile

The government of Chile in promoting Chilean wine in China understood this. With limited funding and an ambitious agenda, ProChile, the Chilean government body responsible for the promotion of Chile and Chilean Wine, found gold with their online campaign.

China’s rapidly growing wine industry is full of both opportunity and a challenge. The opportunity rests among China’s rapidly growing wine connoisseurs, who seek new and different types of wine. The challenge was that Chinese consumers often default to French wine and high prices, focusing on the status achieved by the association of consuming French wine.

What Chinese consumers didn’t know was that Chile has affordable and high quality wines. The Chilean government wanted to reach out to Chinese wine consumers and help them understand that there was more to choosing wine than just comparing price tags.

The primary objective of the campaign was to increase Chilean wine sales in China. Beyond that, ProChile wanted to promote Chile to create a stronger brand presence for Chilean wine. The result, after only three months conducting a multi-phased digital campaign, was that Chilean wine moved up in the rankings of wine exporters into China.

Background

Wine is one of the fastest growing alcoholic drinks in China among a defined target audience of young (25-35 years old) urban professionals. However, after conducting research, young urban professions were often embarrassed to order or purchase wine because of a lack of understanding about the product. At the same time this group of people fell in the demographic of heavy Internet users. They were the foundation of China’s flourishing social media scene. These consumers were found to often look to bloggers for advice and viewed the internet as an instrument for self study and a place to share knowledge and recommendations.

Hence, it was obvious that online education and social media engagement should serve as the cornerstone of a campaign to build awareness, trial and preference for Chilean wine.

Strategy

Seeking to empower consumers with knowledge and confidence, the campaigned focused on arming netizens with the tools to buy or order wine. To create a bigger brand presence, images were used and information disseminated about Chile as a constant backdrop to everything undertaken.

A three-phase campaign roll-out was launched:

Phase 1: “I love wine.” During this phase every Netizen was invited to learn about wine appreciation, appealing to all current and would be wine drinkers.

Phase 2: “I love Chilean wine.” Focusing on the specific advantages of wine from Chile, the second-phase of the campaign encouraged people to convert to Chilean wine. Here, the campaign highlighted the affordability, taste quality and sustainability practices that set Chilean wine apart from the wines of other countries. In the process, we introduced netizens to the different regions of Chile, furthering education.

Phase 3: “I love Chile.” With a solid understanding of Chile, through Chilean wine, the door was open to introduce Chinese consumers to other products produced by Chile – fruit, salmon, urban transportation and tourism.

The main channel to begin discussion of Chilean wine was to leverage the blogosphere and make this viral. To begin with, the campaign involved collaboration with four influential bloggers asking them to stage a competition. Each week over four weeks the bloggers were sent a bottle of Chilean wine, together with information and facts about Chile.

The thrust of the blogger involvement centered on getting them interested in writing about the wine in their blogs in their own personal style. The blogger’s posts were aggregated at a site developed for the campaign, zhiliwine.com. This allowed us to create a lasting and permanent record of the event. Throughout the campaign over 70,000 netizens voted for their favorite articles, with many bottles of Chilean wine offered as give-aways for the competition. Blog posts were featured on the front pages of some of the biggest portals.

A broad social media footprint is important for every brand, and marketers need to take their message to the places where netizens are already investing their time and trust online. To extend the campaign message, popular social media was leveraged with content continually added to encourage debate and to help establish a community where netizens were able to discuss wine. Specifically:

• Kaixin – Chinese social network site where wine fans could come together and share wine drinking tips.
• Youku – Chinese video sharing site (like Youtube) where content was produced specifically about Chilean wine and this was uploaded for all to view.
• Flickr – Furnished numerous photos of Chilean wine, landscapes and other activities by ProChile in China.
• BBS forums – Seeded information in more than 50 relevant BBS forums to encourage interest.

The campaign empowered Chinese consumers to drink wine with ease, and impress their friends and business associates with “Webisodes” (short videos), created specifically for online video sharing networks as a tool for self-study. Through the webisodes the campaign delivered simple tips such as how to open a wine bottle, how to taste wine with confidence, and how to pair wine with Chinese food.

In addition to the online outreach, a comprehensive Interactive e-book in cooperation with Chilean wine companies in China was created, and the Chilean wine companies provided content and incorporated the e-book into their own marketing strategies.

Beyond social media, the campaign involved working with editors and producers of major portals to promote the campaign vehicles: the e-book, the videos and the blogger competition. It was important to reach out to editors of the more traditional online media so that the campaign reached people who do not use social media heavily, but who regularly read major Chinese websites such as Sina and Sohu.

After only three months, the greatest achievement was seeing Chilean wine climb from the fifth to the fourth largest exporter of wine to China, according to the Commissioner General of ProChile in China.

Like the country itself, social media in China is fast paced, constantly changing and growing faster than anywhere else in the world. For brands looking to get on China’s digital highway, seatbelts, a GPS and a little sense of adventure are a necessity. There is no more rewarding or amazing place to do social media.

Michael Darragh is Digital Strategic Planner at Ogilvy Public Relations Worldwide / Shanghai and producer of World Expo Blog.

I’m sure you have been asked to fill in annoying forms, most people don’t really take forms too seriously. In psychology, human beings always tend to avoid giving too much information to others (although you try).

Thanks to social media! data is everywhere these days, you just have to know how to get it, where to get it and how to analyse it. It’s like having hidden microphones on everyone around the world (of course without violating privacy policies), and listening to them at the same time about one single thing.

There are many free tools out there that can get you started, feel free to email me tim.ho@ogilvy.com or Thomas Crampton thomas.crampton@ogilvy.com to learn more about the power of “listening”.